{"id":79772,"date":"2026-03-12T14:30:11","date_gmt":"2026-03-12T13:30:11","guid":{"rendered":"https:\/\/euwps05.newsmemory.com\/ilmercoledi\/news\/2026\/03\/12\/stupinigi-domenica-22-appuntamento-con-musical-corte\/"},"modified":"2026-03-12T14:34:38","modified_gmt":"2026-03-12T13:34:38","slug":"stupinigi-domenica-22-appuntamento-con-musical-corte","status":"publish","type":"post","link":"https:\/\/www.ilmercoledi.news\/2026\/03\/12\/stupinigi-domenica-22-appuntamento-con-musical-corte\/","title":{"rendered":"STUPINIGI &#8211; Domenica 22 appuntamento con musical a corte"},"content":{"rendered":"<p>L\u2019appuntamento di Musical a Corte nel Salone d\u2019Onore della Palazzina di Caccia di Stupinigi (TO) di domenica 22 marzo alle 19 parla d\u2019amore e, in particolare, dell\u2019<strong>avvicendarsi dei vari tipi d\u2019amore a seconda delle stagioni della vita<\/strong>.<\/p>\n<p>Love Musical\u00a0\u00e8 un vero e proprio viaggio sentimentale: dalle commedie romantiche di George Gershwin e Cole Porter, ai classici di Rodgers &amp; Hammerstein, dalle sperimentazioni di Sondheim ai MegaMusical anni \u201980 per approdare ai nuovi classici tratti da\u00a0Parade, Rent,\u00a0Natasha, Pierre &amp; The Great Comet of 1812. Non \u00e8 forse il musical, pi\u00f9 di ogni altro genere teatrale &#8211; con le canzoni che scandagliano i sogni, le spinte inconsce e i conflitti dei personaggi &#8211;\u00a0 a meglio rappresentare ci\u00f2 che Proust definisce le \u201cIntermittenze del cuore\u201d?<\/p>\n<p>&nbsp;<\/p>\n<p>PROGRAMMA<\/p>\n<p>Prologo<\/p>\n<p>Can\u2019t Help Loving That Man &#8211;\u00a0SHOW BOAT (1927)<\/p>\n<p>Primavera<\/p>\n<p>Bill &#8211;\u00a0SHOW BOAT (1927)<\/p>\n<p>Someone To Watch Over Me &#8211;\u00a0OH, KAY! (1926)<\/p>\n<p>Were Thine That Special Face? &#8211;\u00a0KISS ME KATE (1948)<\/p>\n<p>Something\u2019s Coming &#8211;\u00a0WEST SIDE STORY (1957)<\/p>\n<p>Johanna &#8211;\u00a0SWEENEY TODD (1979)<\/p>\n<p>Gimme Gimme &#8211;\u00a0THROUGHLY MODEREN MILLIE (2002)<\/p>\n<p>Disney Love Medley: \u00a0Can You Feel The Love Tonight &#8211;\u00a0Re Leone,\u00a0I Won\u2019t Say I\u2019m in Love &#8211;\u00a0Hercules,\u00a0Belle &#8211;\u00a0Bella e la Bestia,\u00a0Someday My Prince Will Come &#8211;\u00a0\u00a0Biancaneve,\u00a0\u00a0Once Upon a Dream &#8211;\u00a0La Bella Addormentata<\/p>\n<p>Estate<\/p>\n<p>If I Loved You &#8211;\u00a0CAROUSEL (1945)<\/p>\n<p>No One Else &#8211;\u00a0Natasha, Pierre &amp; The Great Comet of 1812\u00a0(2012)<\/p>\n<p>One Hand, One Heart &#8211;\u00a0WEST SIDE STORY (1957)<\/p>\n<p>Agony &#8211;\u00a0INTO THE WOODS (1987)<\/p>\n<p>I Love You, You\u2019re Perfect, Now Change &#8211;\u00a0ID. (1995)<\/p>\n<p>Momento Nerd<\/p>\n<p>Unworthy Of Your Love &#8211;\u00a0ASSASSINS (1990)<\/p>\n<p>Autunno<\/p>\n<p>Take Me Or Leave Me &#8211;\u00a0RENT (1996)<\/p>\n<p>Agony Reprise &#8211;\u00a0INTO THE WOODS (1987)<\/p>\n<p>Therapy &#8211;\u00a0Tick&#8230; Tick&#8230; BOOM! (2001)<\/p>\n<p>All The Wasted Time &#8211;\u00a0PARADE (1998)<\/p>\n<p>Could I Leave You? &#8211;\u00a0FOLLIES (1971)<\/p>\n<p>Being Alive &#8211;\u00a0COMPANY (1970)<\/p>\n<p>Inverno<\/p>\n<p>A Boy Like That &#8211;\u00a0WEST SIDE STORY (1957)<\/p>\n<p>Lily\u2019s Eyes &#8211;\u00a0THE SECRET GARDEN (1991)<\/p>\n<p>Epilogo<\/p>\n<p>Seasons Of Love &#8211;\u00a0RENT (1996)<\/p>\n<p>&nbsp;<\/p>\n<p>CREDITI<\/p>\n<p>Voci: Andrea Ascari, Elisa Bertolini, Rachele Mastropaolo, Alice Menoncin, Luigi Nigro, Tommaso Pigano<\/p>\n<p>Pianoforte: Giuseppe Guerrera<\/p>\n<p>Progetto e testi: Andrea Ascari<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":11,"featured_media":50253,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[34],"tags":[],"news-destination":[],"news-source":[],"is_homepage":[581],"ta_other":[],"_links":{"self":[{"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/posts\/79772"}],"collection":[{"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/comments?post=79772"}],"version-history":[{"count":0,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/posts\/79772\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/media\/50253"}],"wp:attachment":[{"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/media?parent=79772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/categories?post=79772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/tags?post=79772"},{"taxonomy":"news-destination","embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/news-destination?post=79772"},{"taxonomy":"news-source","embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/news-source?post=79772"},{"taxonomy":"is_homepage","embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/is_homepage?post=79772"},{"taxonomy":"ta_other","embeddable":true,"href":"https:\/\/www.ilmercoledi.news\/ilmercoledi\/news\/wp-json\/wp\/v2\/ta_other?post=79772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}